New Bedford Whaling Museum Curator of Maritime History, Michael P. Dyer will explore the deep cultural connections between American whaling and the U.S. Navy in the 19th century up to the First World War.

Organized by the New Bedford Whaling Museum, Common Ground: Community Stories is an ambitious oral history project and exhibition to create a full picture of the Greater New Bedford region and residents through story collection. A key goal is to give voice to community members. By gathering individual stories, Common Ground presents a diverse, inclusive, and celebratory accounting of the lived experiences of South Coast residents.

Steeped in the histories of global whaling and deeply tied to the objects in the Museum collection, Pettit and Corby poetically engage with Museum artworks, objects, and archives. The two forge tangible connections between past and present through processes of making and adaptation, in order to underscore the global interconnectedness of people and things.

Much like the space of the shoreline itself, which is never a fixed point but always moving, shifting, and changing depending on the tide, seaweed is uniquely invigorated by its marine environment and always changing — both in form and appearance and in its cultural and social meanings and uses.

In the world of oceanography, marine heatwaves are a recently “discovered” phenomenon. As NOAA explains, “Marine heatwaves are periods of persistent anomalously warm ocean temperatures, which can have significant impacts on marine life as well as coastal communities and economies.” They are becoming more intense and more frequent.

Massachusetts artist Daniel Ranalli has been fascinated by the subject of whale strandings since he observed one first hand in 1991 at Wellfleet. As Ranalli explains: “My research into the history of such strandings uncovered a historical record of strandings in both the U.S. and abroad.” For Cape Cod, the history can be traced back to the early 1600s, and certain areas – the Outer Cape in particular, has a very high incidence of strandings and “drivings” (when whales were driven ashore intentionally).

Marnie Sinclair (b. 1945) is a process artist and environmental activist who often uses her art to visually express the many complicated issues that surround climate change and ocean pollution. Sinclair was raised in the tropics, then lived and worked on Martha’s Vineyard, and now resides in Damariscotta on the Southern coast of Maine. In each location, she finds inspiration in the shorelines and native wildlife.