A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
NEW Exhibition Dates: June 24, 2021 – October 31, 2021
Wattles Family Gallery
Caption: Albert Pinkham Ryder. Flying Dutchman, completed by 1887. Oil on canvas mounted on fiberboard. Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.95.
In June 2021, the New Bedford Whaling Museum will open a landmark art exhibition titled A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art. The show will bring together major masterworks across the career of New Bedford native, Albert Pinkham Ryder (1847-1917), who achieved legendary status among artists during his lifetime. This is the first exhibition of Ryder’s work since Elizabeth Broun’s 1990 retrospective at the Smithsonian American Art Museum.
A crucial influence on artists such as Marsden Hartley and Jackson Pollock, Ryder’s unique vision is as important to American painting as Herman Melville is to American literature.
NEW PUBLICATION: A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art. Along with the exhibition, the Museum has released the first major publication in three decades on Ryder. The book, published by Rizzoli and distributed by Random House, explores Ryder’s influence and inspiration to contemporary American Artists.
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art offers us the exceedingly welcome chance to reflect on this austere, stirring, and wholeheartedly strange painter. – Andrew L. Shea, The New Criterion, December 2020.
CLICK HERE to purchase your copy today or visit the Museum’s gift store The White Whale.
One of the most intriguing things about Albert Pinkham Ryder is his authenticity, one of the many factors that contribute to the cult status he had already achieved during his own lifetime. While we can find parallels and numerous connections with his peers on many fronts, probable inspiration from the sites of his youth and travels, some influence by those who preceded him and contemporaries, Ryder was a prophetic visionary, seeing and representing the world in a way that diverged from everyone else.
A Wild Note of Longing will highlight Ryder’s most iconic paintings, including 11 exceptional examples from the Smithsonian American Art Museum, such as the Flying Dutchman, Jonah, and Pegasus Departing. An additional 15 Ryders have also been secured from other institutions and private collectors, including the National Gallery of Art, the Brooklyn Museum, the Phillips Collection, the Wadsworth Athenaeum, the Lyman Allyn Art Museum, and the Toledo Museum of Art.
By a deep flowing river
There’s a maiden pale,
And her ruby lips quiver
A song on the gale,
A wild note of longing
Entranced to hear,
A wild song of longing
Falls sad on the ears.
– Albert Pinkham Ryder
Caption: (left) Albert Pinkham Ryder. With Sloping Mast and Dipping Prow, ca. 1880-1885. Oil on canvas mounted on fiberboard. Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.102. (right) Albert Pinkham Ryder. Landscape, undated. Oil on canvas. New Bedford Whaling Museum.
Exhibition Principal Organizers
Christina Connett Brophy, PhD, The Douglas and Cynthia Crocker Endowed Chair for the Chief Curator, New Bedford Whaling Museum
Elizabeth Broun, PhD, Director Emerita of the Smithsonian American Art Museum
William C. Agee, Evelyn Kranes Kossak Professor of Art History Emeritus, Hunter College, CUNY, after museum positions as curator and director
IN THE NEWS
Albert Pinkham Ryder: isolato of the brush
The New Criterion, December 2020
The Critic’s Notebook–On Jan van Eyck, the history of porcelain, Albert Pinkham Ryder & more from the world of culture
The New Criterion, August, 2020